●蔓延攀爬 Extend Over

     二手衣物，依場地空間裝置
     台北市立美術館委託創作

     Second-clothes,  Variable
     Commissioned by Taipei Fine Arts Museum 
     2025

Venue: 臺北市立美術館 兒童教育中心  Taipei Fine Arts Museum Children's Art Education Center

觀眾參與互動區Audience Participation Area

   Photos courtesy of Taipei Fine Arts Museum

被使用過的衣物或布料為主要媒材的作品，被使用過的衣料乘載的不同時期的記憶和回憶，它們不僅反映出衣物本身所處的時代，連製造地的變遷，也在無形中訴說歷史。作品源自於我對舊衣物難以割捨的情感，開始將衣物處理，經過漫長時間的將舊衣物切割成布料，重組，將這些衣物轉化為一條條可以編織、堆疊的布條，並將它們在空間中不斷延伸、攀爬，在房間內想著外面的事物，思緒將持續綿延。
而在呈現時希望可以串連空間和空間之間的關係，將抽象的思緒化作具象的想像，可以順著毯子的轉折流動，流向下一個空間，而我也順著毯子堆疊的皺摺造型，一起向外移動。這是一件結合身體、行為、勞動和空間思考的作品。

This work takes used clothing and fabrics as its primary material. The worn textiles carry memories from different periods of time; they not only reflect the era to which the garments belong, but also silently speak of history through changes in their places of manufacture. The work originates from my emotional attachment to old clothes and my reluctance to part with them. Over a long period of time, I began processing these garments by cutting them into fabric, reassembling them, and transforming them into strips that can be woven and layered. These strips continue to extend and climb through space. While remaining inside the room, I think about the world outside, and my thoughts continue to unfold.
In its presentation, I aim to connect the relationships between different spaces, translating abstract thoughts into tangible forms of imagination. The flow follows the turns of the blanket, moving toward the next space, and I move outward together with the folds and layered forms created by the accumulation of fabric. This work brings together the body, action, labor, and spatial thinking.