YUCHI, HSIAO 蕭禹琦
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●影像雜技 Demo:Dome

     Loop 
      Full Dome format
      2024

      Cooperation with Chuang Ho

直幅圖說:3:4

               第一波攻擊—花的行動                                           第二波攻擊—空降                                                     第三波攻擊--黑水

The First Wave of Attack: Action of Flowers         The Second Wave of Attack: Airborne              The Third Wave of Attack: Black Water

《影像雜技 Demo: Dome》為一部由九個短單元組成的實驗性影像作品,意圖引起觀眾探索Dome作為影像載體時,與傳統影像語言不同的特性。

2024 年,導演莊禾與我合作創作作品《影像雜技 Demo: Demo》,並參與由 臺灣當代文化實驗場(C-LAB) 主辦之 FUTURE VISION LAB 系列展覽。作品以穹頂劇場作為觀看結構,透過其特殊的沉浸式視覺經驗,重新思考影像、身體與觀者之間的關係。
在創作過程中,我將過去以單頻道錄像為核心的創作概念,轉化為穹頂影像形式,並使用 360 度攝影機重新拍攝。同時,我亦親自參與作品演出,使身體成為影像中的關鍵媒介,延續我長期以來透過行為錄像探索觀看、互動與空間感知的創作方法。

此一創作脈絡延伸自我過往的行為錄像系列,包括《在表面下系列 1》、《花的行動》等作品,這些創作皆以自身在影像中的表演與觀者之間的互動為核心。面對穹頂劇場所帶來的沉浸式特質,我嘗試將過往與鏡頭互動的單頻道錄像語彙進行轉譯,與莊禾的手繪動畫創作相互結合,發展出一種介於身體、影像與空間之間的全新視覺敘事形式。

作品曾在墨爾本「DOMEUNDER Film Festival」、德國耶拿「Fulldomefestival」、捷克布拉格「ART*VR」影展放映並獲得觀眾票選獎。

導演、動畫|莊禾
合作藝術家|蕭禹琦
聲音設計|張文柳

In 2024, director CHUANG Ho collaborated with me to create the work Demo: Demo, which was presented as part of the FUTURE VISION LAB series organized by Taiwan Contemporary Culture Lab (C-LAB). The work utilizes a dome theater as its viewing structure, and through its unique immersive visual experience, it invites a reconsideration of the relationship between image, body, and audience.
During the creative process, I transformed my previous single-channel video-based concepts into a dome projection format, using 360-degree cameras for new footage. I also personally performed in the work, making the body a key medium within the video, continuing my long-standing practice of exploring perception, interaction, and spatial awareness through performance video.
This creative trajectory extends from my earlier performance video series, including Under the Surface Series 1 and Action of Flowers, all of which focus on the interaction between my own on-screen performance and the audience. Confronted with the immersive qualities of the dome theater, I sought to translate the single-channel video vocabulary I previously developed with the camera into this new environment. By combining it with CHUANG Ho’s hand-drawn animation, we developed a novel visual narrative that exists between body, image, and space.

*The work was screened at the DOMEUNDER Film Festival in Melbourne, the Fulldomefestival in Jena, Germany, and the ART*VR Festival in Prague, Czech Republic, where it received the Audience Award.

Director / Animation : CHUANG Ho
Collaborating Artist : Yuchi HSIAO
Sound Design : Wenliu CHANG

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